| NEW
DELHI: The Film Federation of India (FFI) will shortly meet information and broadcasting
minister Priya Ranjan Dasmunsi to urge him to scrap Goa as a venue for future
International Film Festivals of India (IFFI). FFI has decided to launch
an agitation that should sound the death knell for Goa as the festival venue.
It will write to the ministry soon citing its grievances in this regard prior
to meeting the minister. Goa was declared as the permanent
venue in 2004 for the annual IFFI by the previous National Democratic Alliance
government, and the 37th IFFI the third in Goa was held from 23
November to 3 December. The organization of the festival was taken up on behalf
of the directorate of film festivals of the I&B ministry by the Entertainment
Society of Goa, set up specially for this purpose. The reaction of
the film industry was on the cards, as it alleged utter apathy and complete
indifference that the festival organizers were showing to the Indian film industry
and said this was bound to have its backlash. The annnual general
meeting of Film Federation if India, the apex body with constituents strewn across
the country, adopted a united and unanimous decision to put all its might behind
the ouster of Goa as the venue for IFFI. The film industry under
the aegis of the Film and Television Producers Guild had held a party for the
festival delegates, and film industry observers at the spot alleged that the authorities
did not extend any helping hand in this. Furthermore, several film personalities
alleged that they had to run from pillar to post to get their entry cards for
the festival. The FFI meet felt that IFFI is a very sacred
name for the Indian film industry. It is the nations recognition to the
outside world as its definitive film festival. But for the past three years since
the time the festival has shifted to Goa, the industry is being treated like a
pariah. From being confronted with embarrassing questions at the registration
desks to being literally reduced to begging for function passes, it was as if
this is not the industrys programme but an outside event where the industry
has come in as an uninvited guest. The FFI quoted several
examples which it termed as howlers: Shakti Samanta was asked whether
he has made any film; and renowned producer Dr D Rama Naidu was asked to prove
his credentials. These are but a few of the remarkable gaffes that kept
on happening for the last three years with great impunity. The sheer neglect and
unfriendliness that the industry has seen since the festival shifted to Goa might
have ignited this tempest last year itself. Can anyone
imagine that for the inaugural this year, out of some 5000 capacity, the industry
was allocated only 225 seats? And that too with great reluctance on the morning
of the function which made it virtually impossible for FFI officials to distribute
the cards properly. Is this a film festival or a private function? Not to mention
the complete chaos and inefficiency that accompanied the whole organizational
process. FFI noted that the concerned officials for the festivals
were mostly greenhorns. Neither were they cinema savvy nor did they have any knowledge
on how a festival should be conducted. "It is as if all of them were on some
different trip that had no connection with a film festival. Otherwise, can anyone
explain why additional and much needed infrastructure (screens with larger capacity)
was not on the priority list? Why should a festival not have the basic amenities?
Indias reputation is at stake in such international gatherings and the complete
confusion that prevailed surely made us a laughing stock in the eyes of the world,"
the FFI said. For the past 30 years, there is a co-ordination system that
was in existence between FFI and the festival authorities which was one of the
prime reasons why it operated smoothly. Come Goa and all of that has gone up in
smoke. In fact, there is a coordination committee that is set up before each edition
of the festival which meets regularly before the festival and important decisions
are taken. Subsequently, these decisions are passed on to the organizing committee
for implementation. For the past 3 years, the coordination committee was
set up, and they met but nothing was put into practice. Most decisions were unceremoniously
rejected by the organizing committee. And to put things into perspective, the
coordination committee consists of presidents of all film trade bodies . When
decisions taken at such a high level is derided, the entire Indian film industry
feels insulted. |