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CII national entertainment committee co-chairman Bobby Bedi said
that project management skills are entering the film business. According
to him, creativity is being better managed in terms of ideas and
balancing egos. Schools are coming up like Whistling Woods. "The
moment the corporate sector invests in the film industry, the reporting
of expenditure becomes more accurate. After all, there are shareholders
who want to know where the money is going."
Expressing concern on piracy, Bedi said that the government must
seriously look into this issue.
Foreign studios still reluctant to enter the Indian film production
area: One area of entertainment where FDI is allowed is the
film industry. However, foreign companies are still to take advantage
of this.
Pointing out that the sector was not yet ready for film production,
Sony Pictures Releasing of India MD Uday Singh said the company
was still three years away from entering the arena in India. "There
are elements that need to come together. To give an example a film
producer wanted to shoot in India. He however was clueless as to
where he could information from as to the locations available and
the benefits that would accrue. Eventually I ended up culling the
information for him. Where does an outsider go to find out information?
To NFDC's website?"
UTV CEO Ronnie Screwvalla said that certain tax issues needed to
be clarified and modified. Also the film industry wanted more equity
to flow in and not just debt related funding. He also suggested
the creation of a film fund. "A foreign producer wants a basket
of ten projects. He will not work on one at a time. Also I feel
that Indian film producers should market themselves better abroad.
Also the distribution and marketing units must be in the same area
as production."
India did not have any big cost advantage to lure outsourcing in
the film sector, according to the report. Producers can reduce their
costs by 10-12 per cent by owning studio infrastructure and equipment.
They should sign long term contracts. They should also enter into
multiple contracts with studios and exhibitors.
Multiplexes were responsible for changing the way films were being
exhibited. "Multiplexes enjoy an average 50-60 per cent occupancy
rate as against 30-35 per cent for standalone screens. They increase
the footfalls in shopping malls by 40-50 per cent," the report
said.
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