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MUMBAI:
After chasing it for 11 years, Ethan Coen and
Joel Coen have finally won the coveted Best
Director Oscar for No Country for Old Men.
The Coen Brothers had earned the Best Screenplay
award for Fargo in 1997.
"Joel
and I have been making stories with a movie
camera since we were kids. What we do now doesn't
feel that much different from what we did then,"
said Ethan Coen while recieving the award for
best direction along with his brother, making
them the first siblings to win the award.
The
violent thriller has emerged as the biggest
winner at the 80th Oscar function, taking home
awards for the best picture, best adapted screenplay
and best supporting actor for Javier Bardem.
The
film, which has earned over $64 million at the
domestic box office and $30 million overseas,
is the 12th movie co-written and directed by
the Coen brothers.
A
bleak and gory drama, No Country For Old
Men has beat out its arch rivals Juno,
Michael Clayton, There Will Be Blood
and The Diving Bell and the Butterfly
for the win.
While
French Lady Marion Cotillard sweeped the best
actress' award for La Vie En Rose, British
actor Daniel Day-Lewis won the best actor's
award for There Will be Blood.
"Thank
you life. Thank you love. It is true, there
are some angels in this city; thank you so much,"
said an ecstatic Cotillard looking at the prized
possession in her hand.
While
the award for best supporting actor went to
Spain's Javier Bardem for his performance as
a psychopathic hitman in No Country for Old
Men, Britain's Tilda Swinton, who
played a calculating corporate legal chief in
Michael Clayton, bagged a best supporting
actress Oscar.
"Thank
you to the Coens for being crazy enough to think
that I could do that and put one of the most
horrible haircuts in history on my head,"
said Bardem.
Austria's
The Counterfeiters won the best foreign
film award which is based on a true story of
a group of Jewish prisoners recruited by the
Nazis to mount one of the largest counterfeiting
operations in history.
Though
Paul Thomas Anderson's There Will Be Blood
got nominated in eight categories, it could
take home only two awards - for cinematography
and best actor.
The
Bourne Ultimatum, which was not nominated
for a single major award, walked out with three
Oscars in the technical categories.
To
remind the world of all its bleak realities,
the jury gave away the Oscar to Alex Gibney's
Taxi to the Dark Side, for the best documentary.
The
film revolves around the interrogation and grilling
techniques at US military facilities, investigating
the death of Dilawar, a young Afghan taxi driver
in custody, at a prison in Afghanistan in 2002.
While
collecting his Oscar, Gibney said, "This
is dedicated to two people who are no longer
with us, Dilawar, the young Afghan taxi driver,
and my father, a navy interrogator who urged
me to make this film because of his fury at
what was being done to the rule of law."
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